What if Black Earth was free-form?FLAC part 1
FLAC part 2
FLAC part 3
FLAC part 4
FLAC part 5
V0 part 1
V0 part 2
I guess I was planning to post this sooner or later. Blog named after this.
David Tibet reading a collection of loosely related poems, written by the cult poet Thomas Ligotti, over some dark ambient soundscapes and sound manipulations.
FLAC part 1Uploaded by request.
Helicopter quartet. A string quartet recorded with each musician in a separate running helicopter mid air, with the noise of the engines and the blades. Not Stockhausen's best but does build up a tension, an anxious atmosphere. Might be a good starting point if you're looking into Stockhausen, it depends on where you're coming from, though I'd anyway recommend Elektronische Musik over this.
The Youtube clip above is from the film about Helikopter Quartett which I can more heartily recommend. I'm considering uploading an encode of it here later. Stay tuned.
One of the very few Lydia Lunch-related projects with actually redeemable qualities, none thanks to her however. It is also said that she hated the band while she was in it. A very short lived story, literally, the bassist George Scott III, probably better known for his efforts in James Chance & The Contortions, died of a heroin overdose the same year as they released this live recording on cassette and the band split up.
The new album of Bear Quartet. It delivers a little of that darker experimental stuff we hear on Eternity Now but it's mostly in a much more accessible pop or rock format which I don't care for much. Anyway Bear Quartet is a band I respect despite releasing albums like these, and I'd listen pretty much anything they'd decide to release anyway.
Uploaded by request.
Droney soundscapes in an improvisational free folk spirit. Features much sound-manipulation similar to that of electro-acoustic music. From Denmark actually, so my theory of 'no good music could ever spring from Denmark' has been proven wrong.
Dark krautrock built around noisy, dissonant walls of sound or eerie ambient improvs. Inspired by black metal in it's raw, dark, ritualistic outlet. Repetition in combination with improvisation.
Uploaded by request.
No wave-reminiscent jazz post-punk. Blurt is a must-hear in case anyone missed out on them, quite known for their great lives among other things. This is not their best album, but well worth a listen, being the last album with the original lineup, works good as a starter point.
Probably Gridlock's most sophisticated album, shows a great deal of maturity yet still contains the distinctiveness of their earlier more straight-forward industrial / rhythmic noise material. Perfectly merging harsh abrasive, indeed formless, rhythms with beautiful ambient soundscapes, this being their last album leans more toward IDM. But in a way IDM feels like an insult to such a mature album like this, just glowing of analog warthm, in difference of the digital clones, who just relish on cheap software, and are otherwise found in the genre. Do not let the word IDM scare you off this fantastic record, this is unlike any other IDM.
Here's the new Throbbing Gristle if anyone missed it, was exclusively sold at live performances in US, April 2009. The first five minutes I was slightly sceptic, but I'm definitely not disappointed. This feels great after "The Endless Not", which itself wasn't bad, it just didn't feel TG, it felt Coil-ish. TTMM is more subtly powerful, eerie, creepier and probably better, slightly reminiscent of some of their early stuff. I don't think they could ever outshine their earlier years though and I don't think that's what they're trying to accomplish either.
Hooray, the new SoiSong album, it too surprises us with a bizarre shape. It's not nearly as fantastic as qxn948s, but it's definitely worth hearing for anyone who likes ambient / experimental electronic music.
"Piirpauke is a Finnish band that combines folk music, ethnic and jazz in their music."
"We are finally releasing our long spoken of collaboration between Tokyo’s Koji Tano, AKA M.S.B.R., and Kengo Iuchi. The release features three live duets nested between a solo studio track from each artist.
Some more Kazumoto Endo for you all. This one is really short. I also recommend hearing his album "While You Were Out" for anyone who hasn't already, it should be availible on some other blogs.
Freeform improvisation somewhat largely based around guitars and distortion, drowning in feedback. Hijokaidan is kind of a legend among japanoise and this is their, in my opinion, best album.
A compilation of early Kazumoto Endo material under "Killer Bug". Sounds kind of like Government Alpha and Masonna combined, but a lot better.
Normally I wouldn't post something like this, but Nietzsche makes me look so post-modern and existentialist, fuck yeah. Anything featuring Kazumoto Endo must be worth having too. I thought it was gonna be more noisy though, but this is just tracks of glitch / experimental electronica with only a few noisier parts.
TITS!!!!!!
DNA is one of the best things ever happen to no wave. This particular EP is incredibly short, just about 10 minutes long, this could make it a lot easier to digest for people to typically acquainted with such dissonant music. Sadly this is the only "real" release by the band. The compilation album released in 2004 "DNA on DNA" is great too, and it actually has this EP on it anyway and it lacks this EP's only weakness, the length. So unless you're a wimp who wants some easy listening, just download the compilation album instead.
Features the track off No New York and A Taste Of DNA as well as plenty of other good stuff.