Classic krautrock album, uploaded for a bro.320
"Following the emergence of differences within the GRMC Pierre Henry, Philippe Arthuys, and several of their colleagues, resigned in April 1958. Schaeffer created a new collective, called Groupe de Recherches Musicales (GRM) and set about recruiting new members including Luc Ferrari, François-Bernard Mâche, Iannis Xenakis, Bernard Parmegiani, and Mireille Chamass-Kyrou. Later arrived Ivo Malec, Philippe Carson, Romuald Vandelle, Edgardo Canton and Francois Bayle"
BUMP: I'm whoring out to your wishes and am posting FLACs for your enjoyment. Made it quite a few days ago actually, however I had internet issues and I've been busy so I haven't found an opportunity to post it until now.
Saw the premiere screening of this movie at Stockholm film festival, where they gave me the soundtrack as a gift. Thought I'd share it as an universal recommendation, not just music-wise. The soundtrack is ambient, sometimes venturing into darker moods, sometimes a little too cheesy for my taste, it's catchy though. Script/story-wise this movie is nothing fantastic, rather hollywoodian. The main enjoyable factor in this movie is the visual atmosphere it creates through it's innovative 2-d animation, how it depicts the bleak dystopian not-so-far-future world. Check it out.
An often overlooked tape in the Natural Snow Buildings discography, could be because it was limited to 135 copies all hand-numbered with hand-painted inserts. However it deserves recognition as one of their better releases.
Still, former Dälek member's solo album Remains. Still is mostly associated with earlier Dälek days when they embraced a much darker sound, most prominently heard on "Absence". Remains is a album of harsh, dark soundscapes. In a way it's very much what you'd expect from a solo album from Stills, kind of like Absence without the creative influence of the other members, isolated.
ACID ACID ACID. The pinnacle of Coil's more energetic fucked up electronica aspect. Results vary from mind fuckery to catchy moments to bad trips.
Classic krautrock band Faust. Released on CD-R, limited to 400 copies and sold during tour.
Didn't like this one all too much, but at least it gets better towards the end. Thought some of you might still be interested in hearing it for yourselves though.
If you're new to Incapacitants I much more recommend "As Loud As Possible", which is much more interesting and engaging. I re-uploaded the FLAC of that album as a bonus.
Take the extremes of no wave and multiply them several times. Take your typical japanese insanity and multiply it several times. Hanatarash is Yamaysuka eYe (best known from Boredoms) and Mitsuru Tabata (best known from Zeni Geva). Hanatarash was as much art in sound as it was performance art in destruction.
Uploaded by request.
I checked this out without any expectations (didn't like "And Still, Wanting") and was positively surprised, and I can't deny that this guy has gained some respect of mine after he raped my ears at No Fun Fest.
I guess I was planning to post this sooner or later. Blog named after this.
David Tibet reading a collection of loosely related poems, written by the cult poet Thomas Ligotti, over some dark ambient soundscapes and sound manipulations.
FLAC part 1Uploaded by request.
Helicopter quartet. A string quartet recorded with each musician in a separate running helicopter mid air, with the noise of the engines and the blades. Not Stockhausen's best but does build up a tension, an anxious atmosphere. Might be a good starting point if you're looking into Stockhausen, it depends on where you're coming from, though I'd anyway recommend Elektronische Musik over this.
The Youtube clip above is from the film about Helikopter Quartett which I can more heartily recommend. I'm considering uploading an encode of it here later. Stay tuned.
One of the very few Lydia Lunch-related projects with actually redeemable qualities, none thanks to her however. It is also said that she hated the band while she was in it. A very short lived story, literally, the bassist George Scott III, probably better known for his efforts in James Chance & The Contortions, died of a heroin overdose the same year as they released this live recording on cassette and the band split up.
The new album of Bear Quartet. It delivers a little of that darker experimental stuff we hear on Eternity Now but it's mostly in a much more accessible pop or rock format which I don't care for much. Anyway Bear Quartet is a band I respect despite releasing albums like these, and I'd listen pretty much anything they'd decide to release anyway.
Uploaded by request.
Droney soundscapes in an improvisational free folk spirit. Features much sound-manipulation similar to that of electro-acoustic music. From Denmark actually, so my theory of 'no good music could ever spring from Denmark' has been proven wrong.
Dark krautrock built around noisy, dissonant walls of sound or eerie ambient improvs. Inspired by black metal in it's raw, dark, ritualistic outlet. Repetition in combination with improvisation.
Uploaded by request.
No wave-reminiscent jazz post-punk. Blurt is a must-hear in case anyone missed out on them, quite known for their great lives among other things. This is not their best album, but well worth a listen, being the last album with the original lineup, works good as a starter point.
Probably Gridlock's most sophisticated album, shows a great deal of maturity yet still contains the distinctiveness of their earlier more straight-forward industrial / rhythmic noise material. Perfectly merging harsh abrasive, indeed formless, rhythms with beautiful ambient soundscapes, this being their last album leans more toward IDM. But in a way IDM feels like an insult to such a mature album like this, just glowing of analog warthm, in difference of the digital clones, who just relish on cheap software, and are otherwise found in the genre. Do not let the word IDM scare you off this fantastic record, this is unlike any other IDM.
Here's the new Throbbing Gristle if anyone missed it, was exclusively sold at live performances in US, April 2009. The first five minutes I was slightly sceptic, but I'm definitely not disappointed. This feels great after "The Endless Not", which itself wasn't bad, it just didn't feel TG, it felt Coil-ish. TTMM is more subtly powerful, eerie, creepier and probably better, slightly reminiscent of some of their early stuff. I don't think they could ever outshine their earlier years though and I don't think that's what they're trying to accomplish either.
Hooray, the new SoiSong album, it too surprises us with a bizarre shape. It's not nearly as fantastic as qxn948s, but it's definitely worth hearing for anyone who likes ambient / experimental electronic music.
"Piirpauke is a Finnish band that combines folk music, ethnic and jazz in their music."