Electro-acoustic? Free jazz? Noise? Glitch? Drone? I guess it's a bit of all. Features a magnificently manipulated sax, droning soundscapes, and distorted outbursts. Download mp3 320
Part 1
Part 2
Everyone should have this already, but I was asked to upload it. Ranks among Coil's best albums. Enjoy your FLAC.
"Glitch? Oh well I do quite enjoy the pleasant melodious Kashiwa Daisuke ^^"... NO, this is GLITCH. The stuff that could make someone go "oh shooks, the cd is broken".
Uploaded this for my friend who couldn't find it, and well, I thought I might just put it out there for everyone.
Noise is probably the form of music where you'd most definitely want it in FLAC. Where as "normal" music don't use the extreme frequency spectra to an especial degree, which happens to be where mp3 lowers the definition in order to compress, noise most certainly does and intentionally, or perhaps intentionally unintentional as would be the case with these. This is one of my favorites by Incapacitants. An essential album. Sketches toward "pure" noise.
Features like a billion of japanese/east asian samples, I can't udnerstand what's being said, but a Japanese woman once said "vibrator", I could understand that much. The best way to describe it is perhaps to call it "avant-garde jazz", very random, but also stays focused at times, so it's more in doses and processable. Has some mind-exploding noise bursts as well.
Uploaded for my silly friend who doesn't have this already. It's more a Keiji Haino album than it is a Boris album.
A very playful psychedelic, spacey, drone-ambient album, composed mainly of a bunch of manipulated delay, from guitars and whatnots. Though the actual instruments are never really what confronts you about it, they are instead somewhat pushed back to a background. Rarely ventures into more distorted drones, but it's there. In the end not a masterpiece but certainly fun.
A spacey drone/noise/industrial album. Varies between realms. Sometimes leans more towards sound manipulation, sometimes towards the more distorted and sometimes towards droning soundscapes. Yet they are all an integral and constant part of the overall picture portrayed.
CROP CIRCLES seems at first impression to be very flat just random repetitive crackling. But turn up the volume and eventually what reveals itself is a very opressive and claustrophobic soundscape. Seemingly repetitive but constantly morphing. Made only with a microphone and a speaker. Steve Roden is famous for coining the term "lowercase" to describe his music. Lowercase music is composed of sounds normally inaccessible to the human ear, such as the sound of plants growing or underground ant colony chambers, these are amplified to a hearable level.
His new album, on ECM (gotta love ECM). This album is a lot darker and slower than it's predecessor (which I coincidentially posted here just a few days ago), takes a more noir approach and is inspired by world music to a much lesser extent.
Another box? This time, it's 10 discs, 8 hours and 15 minutes of noise. Remastered versions of previously released cassettes from 93-97. Fuck yes Incapacitants are awesome.
Fuck yes, you heard me, another box set. This one is from avant-garde/progressive rock band Henry Cow. The links here are Volume 1 to 9. EXCLUDING volume 10 (a live DVD), the bonus CD as well as the subscriber exclusive 3rd box. Total length is roughly 8 hours and 45 minutes.
Uploaded by request.
Improvisational guitar jazz. Sometimes you feel like you've made yourself comfortable and familiar with his style only to get slapped in the face when he suddenly changes direction completely. Works a lot with analog effects.
Combining electronically manipulated trumpet jazz with an already unique way of playing influenced by world music, Jon Hassell creates a superb atmosphere. His music truly travels in time, in both directions. This is his famous "Fourth World" style. He has also worked with Brian Eno among others.
Somehow I had just missed that Zu had released a new album (or rather it had leaked) until just recently. Perhaps not a brilliant album, it's kind of corny with a mathy sound. Yet I couldn't help finding this to be very catchy while still maintaining an acceptable level of creativity and innovation. Much reminiscent of John Zorn's jazzcore-ish stuff. This album manages to travel from heavy doom metal (almost sludge) to math rock to punk jazz without creating a sense of disorientation. It is certainly not free jazz as some people seem to believe though. Stop distorting your bass and sax, I'm weak for that.
Daniel O'Sullivan, Stephen O'Malley, Vincent de Roguin, David Tibet, Nicolas Field, Alexandre Babel and Alexander Tucker.
It's not as good as his previous album Faces, but that one is pretty hard to top after all. This one is feels too happy at times, instead of that melancholic glory we all love in Faces.
Ok I realize this is starting to look like a Natural Snow Buildings fanblog, but I wanted to share their new release too. Six fucking hours of drone, listening in one sitting is a must. I won't lie, I don't recommend this to people who aren't already familiar with NSB or people with an un-trained attention span.
Uploaded as requested. Starts out kind of weak but the 1 hour droning track is sweet.
"What is named CHAOS is a superior form of organization. We are active filters of this chaos. Our sound is generated by percussion-like impulses. Our automatisms are perversely influencing all our acts. That's why the structures which appear in our sound is inconscious to us. Our creative process being a chain of mental destructions. Our dynamics are formed by the successive births of these selfdestructions."
You can never really be sure whatever direction they might head with their super roots releases but this one manages to stay somewhat musically sane. It's basically just one track with 4 creative remixes on it. Didn't quite enjoy it as much as it's predecessor super roots 9.
HOLY FUCKING SHIT!! 40.000!!!
"Sketches towards the Soundtrack of a movie - yet to be made - about Thai Temple Tattooing"